October 7, 2017 - April 1, 2018
The exhibition Fronteras/Frontiers explores the complexity of borders and frontiers in the midwest through the work by artists Artemio Rodríguez and Fidencio Fifield-Perez. Artemio Rodríguez is a master printmaker based in Patzcuaro, Mexico whose practice transcends the boundaries of printmaking by engaging the public through a mobile printmaking studio/gallery, the GraficoMovil. Born in Oaxaca, Mexico and raised in the U.S., Fidencio Fifield-Perez explores issues of migration, labor, and the politicization of borders through the manipulation of maps, newspaper cuttings, and paper.
September 5 – December 9, 2017
In her sculpture, Sayaka Ganz uses reclaimed plastic objects such as discarded utensils as a painter uses brush strokes. She describes her style as “3D impressionism”: The recycled objects appear unified at a distance, but at close proximity, individual objects are discernable. Sculptures in this exhibition include animals in motion that are rich in color and energy. Ganz was born in Yokohama, Japan, and grew up living in Japan, Brazil, and Hong Kong. She holds a master of fine arts degree in sculpture from Bowling Green State University in Ohio. The Tour of “Sayaka Ganz: Reclaimed Creations” is produced by David J. Wagner, L.L.C., David J. Wagner, Ph.D., Curator/Tour Director.
August 15 – December 23, 2017
Enrico Isamu Ōyama represents a contemporary generation with a distinctly global perspective. Child of an Italian father and a Japanese mother, Ōyama grew up in Tokyo, Japan, lived for extended periods in North Italy, and has been working in New York since 2011. “Ubiquitous” surveys how Ōyama channeled his interests in Tokyo and American street cultures, Western abstract art, and Japanese calligraphy to create Quick Turn Structure (QTS), his signature expression. Appearing across a wide range of creative platforms, including painting, digital media, sound, and fashion, QTS gives visual form to the mixed-race, multicultural, transnational experiences of people in today’s world of fluid borders and interconnectivity.
August 1 – December 16, 2017
The reuse of feed, flour, and sugar sacks in clothing and other household objects became popular during the mid-1920s. Businesses capitalized on interest by introducing bags with increasingly varied printed patterns. The sacks and other fabric scraps from manufacturers continued to serve thrifty home sewers during the Great Depression and into the 1960s. A collectors market for the bags and fabric remnants thrives today. This exhibition will explore the recycling of fabrics in clothing and quilts drawn from the collection of the Historic Costume and Textile Museum of Kansas State University. Varied feed bags from a 2016 gift to that museum will highlight the range of print motifs available to twentieth-century home sewers.You Gotta Have Art: Celebrating 20 Years
Opened October 2016
To celebrate the twentieth anniversary of its opening, the museum unveiled a new look for the permanent collection galleries. Drawing on the twentieth anniversary celebration theme “You Gotta Have Art,” the galleries feature works from a range of periods, displayed together to highlight particular themes and stimulate dialogue. Expect to see gallery favorites by John Steuart Curry and Shirley Smith alongside works re-emerging from art storage after a long hiatus. Also on view are new acquisitions by significant contemporary Kansas artists, such as Roger Shimomura, Jane Booth, and Andrzej Zieliński, as well as promised gifts to the collection borrowed for this festive year.